Like so many professional illustrators, I just happen to work in retail. My particular expertise is actually art supplies but the store I work in also sells office supplies and books. And since now is the most exciting time in Icelandic publishing, I’d like to talk about a few books coming out in this year’s Christmas Book Flood. During this time a lot of our effort goes into piling up books on massive tables, constantly changing the prices in attempt to have the best offers and flipping through “Bókatíðindi” (Bókatíðindi is a catalogue that lists all the books published this year) trying our utmost to memorise every single book.
There are some surprisingly good book covers this year and overall lovely designs. I just want to mention some that caught my eye. Now, I’m aware that most of you can’t actually read any of these books but at least you can look at the pretty pictures.
The first one I’d like to show you is called “Gísli í Uppsölum”. It’s a book about man most people over a certain age in Iceland know about. Gísli was basically a hermit thatlived on a farm in Iceland in almost complete isolation with only his animals as company and no technology. It was only in 1984 that he was introduced to the nation through a TV show called “Stiklur”. Now we have a book about his life, his family and the bullying he endured. Definitely a must-read in my opinion.
Not only is this book interesting but it also visually stunning. There are some gorgeous photographs featured in it and instead of piling them up in the middle like so many biographies do, they blend in beautifully with the text. They’re not printed on special glossy paper but instead simply printed on the same paper as the rest of the book.
Now another book that caught my eye for it’s clever design is called “ð ævisaga” which pretty much translates to ð a biography. It’s the story of the letter ð, from its origins in the writings of Anglo-Saxon monks and how it became an inseparable part of the Icelandic alphabet. As far as letters go, I think ð is one of the more interesting ones but this book is definitely not for everyone (although I kinda want it because I’m easily swayed by pretty covers and ð is kinda interesting and why did we start using it in the first place? I actually do sort of want to know).
I’m always attracted to simplicity and the cover of ð ævisaga is just that. And I love their use of colour. From the bright green title page to the red chapter breaks and little bits of red text. It’s very visually accessible which makes sense since there are three graphic designers involved in the writing of the book (and one historian).
Now these are the first two books I’d like to mention but I’d also like to quickly express my delight in the republishing of some of my favourite Scandinavian children’s literature. Ronia (by Astrid Lindgren) was one of my favourite books as a child and one of the few children’s books I could read without crying in frustration (I’m looking at you Enid Blyton). And The Brothers Lionheart (also by Astrid Lindgren) is such a lovely, heartbreaking and traumatising story. A must read for all children.
They also republished one of Ole Lund Kirkegaard’s books. I’m not sure English speakers are familiar with him but he wrote some of the weirdest, wackiest books of my childhood. In one of his books a couple of kids draw a rhino on a wall and it comes alive. Another is about a boy who’s physically weak and gets bullied at school. He then meets a witch that makes him strong for a day so he gets a chance to show up his bullies only to become weak again the next day and life goes back to the way things were. I think it’s very important for kids to read books with a good message so I really do hope they continue republishing his work.